Channeling the sounds and spirit of indie rock’s greatest touchstones, Surfer Blood have accomplished much in their short existence. 2010’s Astro Coast [Kanine Records] is the sound of an exuberant band just rounding into form, and provides some of the catchiest jams in years.

Surfer Blood was officially formed in 2009 by guitarist and vocalist John Paul Pitts and drummer Tyler Schwarz, two dudes who had been friends since high school. Rounded out by guitarist Thomas Fekete, bassist Brian Black, and percussionist Marcos Marchesani, the quintet has been touring nearly non-stop since its inception, and that familiarity is on display on the band’s recently released debut full-length.

The group combines tasty indie rock and clever lyrics in the style of Weezer and Pavement with plenty of reverb and cool melodies. Surfer Blood’s strength, though, lies in its consistently interesting guitar work, packing songs with enough hooks, riffs, and chunky chords to assuage even the most disillusioned of rock fans.

Put a tune like “Floating Vibes” or “Swim” onto a mix CD or playlist and you’re guaranteed to get a response from friends when the song hits the speakers. With Astro Coast, Surfer Blood have given us the first great backyard barbecue album of the year.

These contemporary indie veterans have earned their keep as one of the patron saints of modern alternative folk rock. Each of their four albums displays a certain evolution in their sound, and their latest record Permalight sees them heading toward a louder and more expansive aesthetic.

Rogue Wave began in 2002 when front man Zach Schwartz visited friends in New York City to record new material he’d been working on. Those recordings would eventually serve as the foundation of Rogue Wave’s first LP, Out of the Shadow. Schwartz returned from New York to his home in California and assembled a group of musicians to fill out the sound and bring the songs he’d recorded back East to life.

This is where Rogue Wave got its official start, however in the 7 years of its existence the band has gone through so many trials and tribulations that it seems they’ve started anew several times. After their band member Evan Farrell left to tend to other musical projects, he was found dead from massive smoke inhalation, during a fire. The band also experienced trouble when their label, Sub Pop, dropped them despite a successful following and generous buzz. They’ve since found a new home at Jack Johnson’s label Brushfire Records. Zach Schwartz, the lead singer, also has endured serious back injuries recently.

All of these hurdles would seem to give them a green light to create lamentable self-indulgent music, however they’ve managed to stay above their own self-pity and continuously produce quality cerebral pop music. A band like Rogue Wave demonstrates that a little tenacity and great song writing will allow any band to endure the stormiest of weather.

Even a cursory run-through of Harlem’s recordings makes plain the band’s love of playing—and listening to—music. The trio rolls through sixteen tracks on Hippies, their second full-length, with each cut a nugget of garage-y rock filled with allusions to 50s girl groups, 60s pop, psychedelia, punk, and just about everything in between.

Harlem songs are stripped-down affairs, propelled by raw energy, chiming guitars and expressive vocals. The band traffics in driving rhythms and distorted chords, with most tunes barely pushing more than a couple minutes in length. Oftentimes the fellas sound like they’re in a hurry to run off a cliff, but on Hippies they manage to smartly throw in a few slower-tempo, lovesick numbers to balance things out.

Harlem——Coomers (nee Michael Coomer), Curtis O’Mara and Jose Boyer—started building their following one song at a time with their “Cover of the Month Club,” a long-running project in which the band produces their own loose versions of a wide array of songs from the likes of Devo, 60s girl group The Dixie Cups, Paul Revere and the Raiders—even Detroit techno group Drexciya. They subsequently self-release the 4-track bedroom recordings, offering them up for free on their Myspace page.

Hippies is both a welcome progression from and complement to their debut, Free Drugs . The album is due out April 6th on Matador Records.